Source: OUP website. |
Muslim men have been depicted as monsters in medieval tales, Renaissance paintings, Shakespearean dramas, Gothic horror novels, and Hollywood films. Arjana surveys medieval, early modern, and contemporary literature, art, and cinema, presenting a Foucauldian genealogy of these creatures, from the demons and giants of the Middle Ages to the hunchbacks with filed teeth that appeared in the 2006 film 300.
The book argues that constructions of Muslim monsters constitute a recurring theme, first formulated in medieval Christian anti-Semitism. Arjana, who is Visiting Assistant Professor of Islamic Studies at Iliff School of Theology, shows how Muslim monsters are often related to Jewish monsters, and more broadly to Christian anti-Semitism, which involves both religious bigotry and fears surrounding bodily differences.
Arjana also discusses the impact such representations have on perceptions of Muslims, arguing that these dehumanising constructions become internalised and contribute to the culture of violence against Muslims.